Tekening op de decorafdeling van NOS met Koningin Juliana en televisiepersonages Fred Haché en Barend Servet, Ed van der Elsken, 1982 - 1990
#KoninginJuliana #EdvanderElsken #second #first #EdouardVanDerElsken #Dutch #EdvanderElskens #Loener #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image depicts a monochrome photograph of an indoor setting, likely part of the collection from NOS (Netherlands Organized State Television). The main focus is on two framed portraits displayed against brick wall surfaces. In one frame, there are three individuals: two men and one woman. One man appears to be giving a thumbs-up gesture while wearing glasses and a suit jacket; another man stands beside him in formal attire with his hand raised as if waving or greeting someone. The central figure is an older woman dressed elegantly in a black gown, adorned with a large brooch on her chest.
In the foreground of this portrait frame lies a real-life image capturing a dog mid-air capture from behind; it seems to be leaping off a surface, possibly playing fetch or being photographed playfully. The second framed picture appears similar but is smaller and placed above the first one in terms of vertical positioning within its respective corner.
The lighting on these objects suggests an indoor environment with natural light coming through windows not visible in this cropped image. There are no discernible colors due to it being a black-and-white photo; however, shades vary from white to deep blacks indicative of varying textures and tones like the brick wall's rough texture compared to the smoothness seen within the frames' portraits.
The presence of 'Ed van der Elsken' suggests this work is by Edouard Van Der Elsken (1925-19 [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/579/731/129/573/541/original/d204a2528a8a5379.jpeg "The image depicts a monochrome photograph of an indoor setting, likely part of the collection from NOS (Netherlands Organized State Television). The main focus is on two framed portraits displayed against brick wall surfaces. In one frame, there are three individuals: two men and one woman. One man appears to be giving a thumbs-up gesture while wearing glasses and a suit jacket; another man stands beside him in formal attire with his hand raised as if waving or greeting someone. The central figure is an older woman dressed elegantly in a black gown, adorned with a large brooch on her chest.
In the foreground of this portrait frame lies a real-life image capturing a dog mid-air capture from behind; it seems to be leaping off a surface, possibly playing fetch or being photographed playfully. The second framed picture appears similar but is smaller and placed above the first one in terms of vertical positioning within its respective corner.
The lighting on these objects suggests an indoor environment with natural light coming through windows not visible in this cropped image. There are no discernible colors due to it being a black-and-white photo; however, shades vary from white to deep blacks indicative of varying textures and tones like the brick wall's rough texture compared to the smoothness seen within the frames' portraits.
The presence of 'Ed van der Elsken' suggests this work is by Edouard Van Der Elsken (1925-19 [...]")
Bestuurslid tijdens de veertiendaagse bestuursvergadering van de NOS, Ed van der Elsken, 1982 - 1990
#vandeNOS #EdvanderElsken #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken
NOS Journaal vergadering van 14:00 uur (nummer twee van de drie per dag), Ed van der Elsken, 1982
#EdvanderElsken #EdvanderElskens #NOSJournaal #fotografie #photography #EdVanDerElsken #EdvanderElsken
![This black and white photograph captures a group of people engaged in what appears to be a serious discussion around a large conference table. The room has an industrial feel, with exposed pipes on the ceiling and a high contrast between light and shadow that adds depth to the scene.
A striking feature is a mural or portrait hanging above the heads of most participants, depicting two men looking down towards them. This figure suggests historical significance but cannot be identified based on visual description alone.
The individuals at the table are concentrated on papers in front of them and appear deeply absorbed in their work, with pens poised over sheets that seem to contain handwritten notes or data. The attire is varied, ranging from formal suits to casual shirts and trousers, indicating a mix of professional roles within this gathering.
There's an air of concentration as people lean forward slightly, some are gesturing while speaking, suggesting active debate or analysis taking place. Papers with printed documents can be seen strewn across the table alongside personal items like cups and glasses, hinting at a possibly long meeting session.
Overall, it depicts a moment in time during what appears to be an important group discussion or strategy session within a professional context. The setting seems non-urban due to its utilitarian design, which could suggest that this gathering is taking place either after-hou [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/567/463/225/752/457/original/15fe214f7b488806.jpeg "This black and white photograph captures a group of people engaged in what appears to be a serious discussion around a large conference table. The room has an industrial feel, with exposed pipes on the ceiling and a high contrast between light and shadow that adds depth to the scene.
A striking feature is a mural or portrait hanging above the heads of most participants, depicting two men looking down towards them. This figure suggests historical significance but cannot be identified based on visual description alone.
The individuals at the table are concentrated on papers in front of them and appear deeply absorbed in their work, with pens poised over sheets that seem to contain handwritten notes or data. The attire is varied, ranging from formal suits to casual shirts and trousers, indicating a mix of professional roles within this gathering.
There's an air of concentration as people lean forward slightly, some are gesturing while speaking, suggesting active debate or analysis taking place. Papers with printed documents can be seen strewn across the table alongside personal items like cups and glasses, hinting at a possibly long meeting session.
Overall, it depicts a moment in time during what appears to be an important group discussion or strategy session within a professional context. The setting seems non-urban due to its utilitarian design, which could suggest that this gathering is taking place either after-hou [...]")
Wand in de Parroquia de San Juan Bautista in Catemaco, Mexico, Ed van der Elsken, 1960
#Catemaco #Mexico #EdvanderElsken #SanJuanBautista #Catholic #Spanish #PeroLorenzoArteaga #MadreLorena #MuchasGracias #EdvanderElskens #Mexican #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image depicts a young boy dressed in traditional religious attire standing against an old stone wall adorned with various posters and photographs. The boy is holding what appears to be a book or hymnal, suggesting he may have been attending a service at the church of San Juan Bautista located in Catemaco, Mexico. His uniform includes a white tunic over dark trousers, complete with black stockings and shoes, typical of religious garments worn by young boys in Catholic ceremonies during that period.
The wall behind him is cluttered with multiple items: posters bearing messages written in Spanish, photographs framed at different sizes, some featuring the boy himself, others depicting people or scenes from daily life. There's a visible contrast between these personal and communal elements on display, indicating this might be an area used for community notices as well.
The text above mentions "Pero Lorenzo Arteaga," which could refer to either the person who took care of the posters in memory of his mother, Madre Lorena (as suggested by 'Muchas Gracias' below), or a reference within the context provided. The overall atmosphere evokes a sense of historical documentation and everyday life captured through photography from that era.
The black-and-white nature of this photograph suggests it was taken with an analog camera typical for street photography during the early to mid-20th century, adding to its documentary value a [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/528/196/228/342/779/original/3e55a30cc9183d0f.jpeg "The image depicts a young boy dressed in traditional religious attire standing against an old stone wall adorned with various posters and photographs. The boy is holding what appears to be a book or hymnal, suggesting he may have been attending a service at the church of San Juan Bautista located in Catemaco, Mexico. His uniform includes a white tunic over dark trousers, complete with black stockings and shoes, typical of religious garments worn by young boys in Catholic ceremonies during that period.
The wall behind him is cluttered with multiple items: posters bearing messages written in Spanish, photographs framed at different sizes, some featuring the boy himself, others depicting people or scenes from daily life. There's a visible contrast between these personal and communal elements on display, indicating this might be an area used for community notices as well.
The text above mentions \"Pero Lorenzo Arteaga,\" which could refer to either the person who took care of the posters in memory of his mother, Madre Lorena (as suggested by 'Muchas Gracias' below), or a reference within the context provided. The overall atmosphere evokes a sense of historical documentation and everyday life captured through photography from that era.
The black-and-white nature of this photograph suggests it was taken with an analog camera typical for street photography during the early to mid-20th century, adding to its documentary value a [...]")
Straatgezicht in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Straatgezicht #Durban #Zuid-Afrika #EdvanderElsken #EdvanderElskens #SouthAfrica #fotografie #photography #EdVanDerElsken #EdvanderElsken
Geloofsgemeenschap genaamd 'The Apostles' tijdens een rituele dans, in Durban, Zuid-Afrika, Ed van der Elsken, 1959
#Durban #Zuid-Afrika #EdvanderElsken #second #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image is a black and white photograph depicting several individuals who appear to be in motion, possibly dancing or engaged in some form of expressive activity. The main subjects are four men in the foreground, with their bodies angled towards each other as if interacting closely through dance. One man on the right side appears particularly animated, his mouth wide open mid-speech and eyes closed, suggesting a moment of exuberance or vocal expression.
The second individual from the left has an unusual feature: he is wearing what seems to be eye-wear made out of bandages or string, obscuring part of his face. The others are dressed in casual clothing appropriate for outdoor activities such as jackets and shirts with rolled-up sleeves.
In the background, another group can be seen engaging in a similar activity; however, they are less focused compared to the main subjects. This backdrop suggests that this event is communal or public rather than isolated.
The setting seems informal outdoors during daylight hours. The overall composition conveys energy, emotion, and perhaps some sense of camaraderie among participants.
As for additional context on "Geloofsgemeenschap genaamd 'The Apostles' tijdens een rituele dans", it is linked to Ed van der Elsken's work from 1959. However, without more information about the specific event or cultural significance of this image within that period and location, further details cannot [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/489/790/675/464/521/original/38423e0dc9caa7db.jpeg "The image is a black and white photograph depicting several individuals who appear to be in motion, possibly dancing or engaged in some form of expressive activity. The main subjects are four men in the foreground, with their bodies angled towards each other as if interacting closely through dance. One man on the right side appears particularly animated, his mouth wide open mid-speech and eyes closed, suggesting a moment of exuberance or vocal expression.
The second individual from the left has an unusual feature: he is wearing what seems to be eye-wear made out of bandages or string, obscuring part of his face. The others are dressed in casual clothing appropriate for outdoor activities such as jackets and shirts with rolled-up sleeves.
In the background, another group can be seen engaging in a similar activity; however, they are less focused compared to the main subjects. This backdrop suggests that this event is communal or public rather than isolated.
The setting seems informal outdoors during daylight hours. The overall composition conveys energy, emotion, and perhaps some sense of camaraderie among participants.
As for additional context on \"Geloofsgemeenschap genaamd 'The Apostles' tijdens een rituele dans\", it is linked to Ed van der Elsken's work from 1959. However, without more information about the specific event or cultural significance of this image within that period and location, further details cannot [...]")
Twee vrouwen met hoed steken een straat over, Parijs, Ed van der Elsken, 1950 - 1954
#Parijs #EdvanderElsken #Paris #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken
Mensenmassa op straat tijdens een demonstratie, Parijs, Ed van der Elsken, 1950 - 1954
#Mensenmassa #Parijs #EdvanderElsken #EdvanderElskens #Paris #fotografie #photography #EdVanDerElsken #EdvanderElsken
Drie foto's van dronken, dakloze mannen op straat, Parijs, Ed van der Elsken, 1950 - 1954
#Parijs #EdvanderElsken #Paris #first #second #third #EdvanderElskens #Driefotos #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image displays a triptych of black and white photographs capturing the somber atmosphere of street life in Paris during the mid-20th century. The first photo shows an individual leaning against a shuttered storefront, wearing torn clothing with a worn expression on his face. In the second photograph, two individuals appear to be conversing or examining something close to the ground amidst groups of passersby and pedestrians dressed in period-appropriate attire. The third image features various men standing around what seems like an open street market or social gathering area; their expressions range from casual observation to apparent distress.
The photographs are arranged side by side, with a reflective surface visible on one edge, suggesting they may be displayed as part of an exhibit or collection. Each photograph captures the gritty reality and resilience of urban life during this historical period, emphasizing themes such as poverty, isolation, and human endurance against adversity. The overall composition conveys a poignant narrative about the underprivileged men living in Paris' streets amidst economic hardship and social challenges.
For additional context on Ed van der Elsken's work or to explore more images from his archive, please visit the provided link for further information regarding this specific triptych titled "Drie foto's van dronken, dakloze mannen op straat," which translates to "Three photos of [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/464/833/162/763/686/original/0d32e8041f7e27e0.jpeg "The image displays a triptych of black and white photographs capturing the somber atmosphere of street life in Paris during the mid-20th century. The first photo shows an individual leaning against a shuttered storefront, wearing torn clothing with a worn expression on his face. In the second photograph, two individuals appear to be conversing or examining something close to the ground amidst groups of passersby and pedestrians dressed in period-appropriate attire. The third image features various men standing around what seems like an open street market or social gathering area; their expressions range from casual observation to apparent distress.
The photographs are arranged side by side, with a reflective surface visible on one edge, suggesting they may be displayed as part of an exhibit or collection. Each photograph captures the gritty reality and resilience of urban life during this historical period, emphasizing themes such as poverty, isolation, and human endurance against adversity. The overall composition conveys a poignant narrative about the underprivileged men living in Paris' streets amidst economic hardship and social challenges.
For additional context on Ed van der Elsken's work or to explore more images from his archive, please visit the provided link for further information regarding this specific triptych titled \"Drie foto's van dronken, dakloze mannen op straat,\" which translates to \"Three photos of [...]")
Rij voor bioscoop Gaumont Madeleine in Parijs, Ed van der Elsken, 1950 - 1954
#Rijvoor #GaumontMadeleine #Parijs #EdvanderElsken #Paris #GAUMONTMADELEINE #Parisian #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken
Filmaffiche boven de ingang van een bioscoop, Parijs, Ed van der Elsken, 1950 - 1954
#Filmafficheboven #Parijs #EdvanderElsken #Paris #SusanaLaPerverse #ColumbiaFilms #Susana #LuisBunuels #FernandoMendoza #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken
Jongeren bij het Nationaal Monument op de Dam, Amsterdam, Ed van der Elsken, c. 1947 - c. 1990
#Amsterdam #EdvanderElsken #WorldWarII #NIEUWWERLDENKEL #EdvanderElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image is a black and white photograph depicting five individuals in an urban setting, likely from the mid-20th century judging by their attire. On the left side of the frame stands a man with tousled hair wearing a suit jacket over a collared shirt; he's smoking a cigarette while holding what appears to be money or tickets in his other hand.
In the background, two individuals are seated on steps against a large stone wall that bears engraved text: "WELDEED GEVEND WERLD ENKEL," which suggests it is related to World War II. One of these individuals has their arms folded and appears contemplative, while the other sits with crossed legs.
To the right side of the photograph are three more people seated close together on another set of steps in front of a different section of wall bearing text that reads "NIEUW WERLD ENKEL." They appear to be engaged in conversation. From left to right: one person is wearing glasses, has tousled hair and seems relaxed; next to them sits an individual with shoulder-length straight dark hair, smiling at the camera but not directly engaging with it or another person; finally on the far right is a figure with short, textured hair who appears somewhat disengaged from their surroundings.
The overall atmosphere of the image conveys a candid snapshot of post-war youth in Amsterdam. The clothing styles and hairstyles provide clues to the era, which could be mid-1940s to early 1950s based on hist [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/407/644/049/033/482/original/b66ad30690b806a8.jpeg "The image is a black and white photograph depicting five individuals in an urban setting, likely from the mid-20th century judging by their attire. On the left side of the frame stands a man with tousled hair wearing a suit jacket over a collared shirt; he's smoking a cigarette while holding what appears to be money or tickets in his other hand.
In the background, two individuals are seated on steps against a large stone wall that bears engraved text: \"WELDEED GEVEND WERLD ENKEL,\" which suggests it is related to World War II. One of these individuals has their arms folded and appears contemplative, while the other sits with crossed legs.
To the right side of the photograph are three more people seated close together on another set of steps in front of a different section of wall bearing text that reads \"NIEUW WERLD ENKEL.\" They appear to be engaged in conversation. From left to right: one person is wearing glasses, has tousled hair and seems relaxed; next to them sits an individual with shoulder-length straight dark hair, smiling at the camera but not directly engaging with it or another person; finally on the far right is a figure with short, textured hair who appears somewhat disengaged from their surroundings.
The overall atmosphere of the image conveys a candid snapshot of post-war youth in Amsterdam. The clothing styles and hairstyles provide clues to the era, which could be mid-1940s to early 1950s based on hist [...]")
Reproductie van twee pagina's uit het boek Sweet Life, Ed van der Elsken, c. 1966 - c. 1990
#uithetboek #EdvanderElsken #EdvanderElskens #SweetLife #fotografie #photography #EdVanDerElsken #EdvanderElsken
Portret van Margriet Swart op de kermis op de Nieuwmarkt, Amsterdam, Ed van der Elsken, 1956
#deNieuwmarkt #Amsterdam #EdvanderElsken #EdvanderElskens #fotografie #photography #EdVanDerElsken
Opgezet kalf met hazenlip tentoongesteld op de kermis op de Nieuwmarkt, Amsterdam, Ed van der Elsken, 1960 - 1969
#deNieuwmarkt #Amsterdam #EdvanderElsken #HAZENLIP #Dutch #English #EdvanderElskens #Netherlands #fotografie #photography #EdVanDerElsken
Markt op de Nieuwmarkt, Ed van der Elsken, c. 1956
#EdvanderElsken #Amstel #KOFFIEHUIS #Dutch #European #EdvanderElskens #fotografie #photography #EdVanDerElsken
![The image depicts a bustling market scene in an urban area, likely captured during the mid-20th century. It is rendered as a black and white photograph with high contrast, emphasizing textures such as wet pavement reflecting light from umbrellas.
In the foreground, several individuals are seen navigating the marketplace. One person appears to be walking towards or away from the camera on foot while another stands near an open umbrella that likely serves as shelter for goods being sold beneath it.
A variety of stalls and makeshift vendor setups occupy a significant portion of the scene, with items possibly including foodstuffs, produce, clothing, and other daily necessities. The vendors are mostly under large umbrellas or awnings to protect their wares from weather elements like rain seen on the ground.
Vehicles such as bicycles, cars, and an open-topped bus indicate a mix of transportation modes commonly used during that era in urban settings. One vehicle has "Amstel" signage visible, suggesting local branding presence within the marketplace or possibly advertising nearby businesses.
The architecture surrounding the market includes multi-story buildings with commercial establishments at street level, as indicated by signs such as "KOFFIEHUIS," which translates to coffee house from Dutch. This setting is characteristic of a lively European cityscape and reflects an everyday scene where people engage in commerce amidst [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/335/693/334/244/997/original/156636fe12aa5948.jpeg "The image depicts a bustling market scene in an urban area, likely captured during the mid-20th century. It is rendered as a black and white photograph with high contrast, emphasizing textures such as wet pavement reflecting light from umbrellas.
In the foreground, several individuals are seen navigating the marketplace. One person appears to be walking towards or away from the camera on foot while another stands near an open umbrella that likely serves as shelter for goods being sold beneath it.
A variety of stalls and makeshift vendor setups occupy a significant portion of the scene, with items possibly including foodstuffs, produce, clothing, and other daily necessities. The vendors are mostly under large umbrellas or awnings to protect their wares from weather elements like rain seen on the ground.
Vehicles such as bicycles, cars, and an open-topped bus indicate a mix of transportation modes commonly used during that era in urban settings. One vehicle has \"Amstel\" signage visible, suggesting local branding presence within the marketplace or possibly advertising nearby businesses.
The architecture surrounding the market includes multi-story buildings with commercial establishments at street level, as indicated by signs such as \"KOFFIEHUIS,\" which translates to coffee house from Dutch. This setting is characteristic of a lively European cityscape and reflects an everyday scene where people engage in commerce amidst [...]")
Publiek bij het Modern Jazz Quartet in het Concertgebouw, Amsterdam, Ed van der Elsken, 1956
#Publiekbijhet #Amsterdam #EdvanderElsken #HennyClaes #Publicijbijhet #EdvanderElskens #fotografie #photography #EdVanDerElsken
Mensen staan in de rij voor een winkel, Japan, Ed van der Elsken, 1982
#Mensenstaan #derijvooreenwinkel #Japan #EdvanderElsken #Japanese #English #EdvanderElskens #fotografie #photography #EdVanDerElsken
http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-17-154
![The image depicts a scene on a city street with people standing in line, presumably waiting to enter or use the services of an establishment marked by large closed shutters. The signage includes multiple logos and text that appears to be Japanese characters alongside English numbers "800" repeated several times. A pedestrian is crossing the road at a zebra crossing beside them.
The atmosphere seems candid and captures everyday urban life, possibly in Japan during 1982 as indicated by the date mentioned on the reference link provided for this image. The photo's monochromatic palette adds to its historical context, suggesting it was taken with film rather than digital photography which is more common today.
This black-and-white photograph has a grainy texture typical of older photographic prints or negatives from that era and contains no color information due to the medium. It appears as if this image might be part of an exhibition catalog or similar archival material given its presentation in what seems like a document folder, with visible creases suggesting it may have been folded for storage.
The reference link provided indicates additional context about Ed van der Elsken's work and potentially more information regarding the photograph. However, as I cannot browse external links directly on this platform due to my programming limitations, users should visit the specif [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/279/542/013/523/660/original/b118c04ee4982de7.jpeg "The image depicts a scene on a city street with people standing in line, presumably waiting to enter or use the services of an establishment marked by large closed shutters. The signage includes multiple logos and text that appears to be Japanese characters alongside English numbers \"800\" repeated several times. A pedestrian is crossing the road at a zebra crossing beside them.
The atmosphere seems candid and captures everyday urban life, possibly in Japan during 1982 as indicated by the date mentioned on the reference link provided for this image. The photo's monochromatic palette adds to its historical context, suggesting it was taken with film rather than digital photography which is more common today.
This black-and-white photograph has a grainy texture typical of older photographic prints or negatives from that era and contains no color information due to the medium. It appears as if this image might be part of an exhibition catalog or similar archival material given its presentation in what seems like a document folder, with visible creases suggesting it may have been folded for storage.
The reference link provided indicates additional context about Ed van der Elsken's work and potentially more information regarding the photograph. However, as I cannot browse external links directly on this platform due to my programming limitations, users should visit the specif [...]")
Stel op straat, Japan, Ed van der Elsken, 1984
#Stelopstraat #Japan #EdvanderElsken #EdvanderElskens #fotografie #photography #EdVanDerElsken
![The image is a black and white photograph capturing four individuals in an outdoor setting, likely on a street or public area. The central figures are a young couple; the man has his arms crossed over his chest while leaning against a wall with a thoughtful expression, wearing casual clothing including jeans and a dark shirt. Beside him stands a woman with her arm around his shoulder; she wears a sleeveless dress adorned with black spots of varying sizes along with a white bag slung across one shoulder.
In the background to their right is another man sitting on what appears to be part of a barrier or wall, gazing off into space. He's dressed in light-colored jeans and a long-sleeved shirt. Further behind him stands yet another person; he leans casually against an iron fence wearing casual trousers and a jacket with stripes.
The environment features elements like a white metal railing, greenery indicating it might be spring or summer, and litter scattered on the ground which suggests a public space that is possibly used frequently by pedestrians. The composition of the photo captures both individuals' stillness amidst their surroundings, hinting at moments of contemplation in an otherwise bustling urban landscape.
The image carries a candid feel often associated with street photography, capturing fleeting moments in everyday life without apparent staging or professional [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/251/466/496/293/752/original/d5be3b844cb7df53.jpeg "The image is a black and white photograph capturing four individuals in an outdoor setting, likely on a street or public area. The central figures are a young couple; the man has his arms crossed over his chest while leaning against a wall with a thoughtful expression, wearing casual clothing including jeans and a dark shirt. Beside him stands a woman with her arm around his shoulder; she wears a sleeveless dress adorned with black spots of varying sizes along with a white bag slung across one shoulder.
In the background to their right is another man sitting on what appears to be part of a barrier or wall, gazing off into space. He's dressed in light-colored jeans and a long-sleeved shirt. Further behind him stands yet another person; he leans casually against an iron fence wearing casual trousers and a jacket with stripes.
The environment features elements like a white metal railing, greenery indicating it might be spring or summer, and litter scattered on the ground which suggests a public space that is possibly used frequently by pedestrians. The composition of the photo captures both individuals' stillness amidst their surroundings, hinting at moments of contemplation in an otherwise bustling urban landscape.
The image carries a candid feel often associated with street photography, capturing fleeting moments in everyday life without apparent staging or professional [...]")
Portret van een onbekend jong stel, Japan, Ed van der Elsken, 1982
#Portretvaneen #Japan #EdvanderElsken #Elsken #EdvanderElskens #Japanese #VanDerElsken #fotografie #photography #EdVanDerElsken
![The image depicts a young couple in an urban environment, captured by the renowned photographer Ed van der Elsken. The photograph is presented as a black and white print with ample negative space around it, which accentuates the subjects within the frame.
The man stands behind the woman, embracing her closely from behind—a gesture that suggests intimacy or protection. He wears a casual t-shirt, indicative of leisure time rather than work attire. His expression is neutral to contemplative, directed away from the camera and possibly towards something outside his field of vision.
The young woman in front has short hair and appears somewhat distressed or concerned as she looks off into the distance, not engaging with the viewer directly. She too wears a casual t-shirt that matches her companion's style but with subtle differences like a pocket on hers.
Behind them, blurred figures hint at activity—possibly passersby walking by—a common sight in bustling city streets. The soft focus of these background elements ensures they don't detract from the couple as the main subjects.
This image captures not just physical details but also conveys an emotional narrative between the two individuals. It's a still life that invites viewers to project their interpretations onto it, making for a compelling piece in van der Elsken’s portfolio known for its deep cultural insights and candid [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/242/870/927/964/435/original/b382fae16cf10064.jpeg "The image depicts a young couple in an urban environment, captured by the renowned photographer Ed van der Elsken. The photograph is presented as a black and white print with ample negative space around it, which accentuates the subjects within the frame.
The man stands behind the woman, embracing her closely from behind—a gesture that suggests intimacy or protection. He wears a casual t-shirt, indicative of leisure time rather than work attire. His expression is neutral to contemplative, directed away from the camera and possibly towards something outside his field of vision.
The young woman in front has short hair and appears somewhat distressed or concerned as she looks off into the distance, not engaging with the viewer directly. She too wears a casual t-shirt that matches her companion's style but with subtle differences like a pocket on hers.
Behind them, blurred figures hint at activity—possibly passersby walking by—a common sight in bustling city streets. The soft focus of these background elements ensures they don't detract from the couple as the main subjects.
This image captures not just physical details but also conveys an emotional narrative between the two individuals. It's a still life that invites viewers to project their interpretations onto it, making for a compelling piece in van der Elsken’s portfolio known for its deep cultural insights and candid [...]")
