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![The alt text for the provided black and white photograph shows a large flock of sheep grazing on an open field. The scene is captured in grayscale, emphasizing contrasts between light and shadow rather than colors.
In this image, we see numerous groups of sheep scattered across various levels of gently sloping terrain. They are distributed from the foreground to the background, creating depth within the composition. Some sheep appear closer together as if following a path or being herded down the slope by an unseen shepherd, while others are spread out more randomly.
The field is composed mostly of dry grass with occasional tufts and patches where it seems less trodden upon by the herd. The absence of any visible fencing suggests that this may be a semi-wild flock allowed to graze freely in open pastures rather than on enclosed lands managed for sheep farming.
In the background, there's an expansive view extending into undulating hills or low mountains, suggesting a rural and possibly arid landscape where such grazing is common. The absence of any visible buildings or human figures suggests that this image was taken during non-working hours when shepherds are typically not present with their flocks. Overall, the photograph conveys a sense of calmness and tranquility associated with pastoral life.
The top right corner displays text "C.O.TOP 47," which could be an identifier for the specific flock or photo collection i [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/249/196/905/199/011/original/ab50acdd27260656.jpeg "The alt text for the provided black and white photograph shows a large flock of sheep grazing on an open field. The scene is captured in grayscale, emphasizing contrasts between light and shadow rather than colors.
In this image, we see numerous groups of sheep scattered across various levels of gently sloping terrain. They are distributed from the foreground to the background, creating depth within the composition. Some sheep appear closer together as if following a path or being herded down the slope by an unseen shepherd, while others are spread out more randomly.
The field is composed mostly of dry grass with occasional tufts and patches where it seems less trodden upon by the herd. The absence of any visible fencing suggests that this may be a semi-wild flock allowed to graze freely in open pastures rather than on enclosed lands managed for sheep farming.
In the background, there's an expansive view extending into undulating hills or low mountains, suggesting a rural and possibly arid landscape where such grazing is common. The absence of any visible buildings or human figures suggests that this image was taken during non-working hours when shepherds are typically not present with their flocks. Overall, the photograph conveys a sense of calmness and tranquility associated with pastoral life.
The top right corner displays text \"C.O.TOP 47,\" which could be an identifier for the specific flock or photo collection i [...]")
Cotton picker. Southern San Joaquin Valley, California
#Cotton #California #DorotheaLanges #America #Japanese #English #Lange #theGreatDepression #undefined #photography #DorotheaLange
![The image is a black and white photograph capturing the essence of agricultural labor. It depicts an individual, likely female based on appearance, engaged in picking cotton from a field under bright sunlight. The person wears casual work attire suitable for manual labor: loose-fitting pants tucked into sturdy boots and a long-sleeve blouse that's pulled up at the wrists to prevent direct sun exposure.
The worker is bent over one of the plants, using both hands to gather or pick something—potentially cotton bolls given context. The field extends into the background with rows upon rows filled with dry, leafless plants—a stark contrast to the living ones in immediate proximity. This scene suggests late harvest time when most leaves have fallen off.
The photograph is credited as a part of "Cotton picker," showcasing agricultural labor within Southern San Joaquin Valley, California. Dorothea Lange's signature and date are visible on this image which indicates its historical importance as it likely serves to document the working conditions during that era in America's history when such fieldwork was prevalent for many communities.
There is Japanese text written vertically along one side of the photograph with English translations: "Cotton picker - A woman picking cotton," followed by a date or signature, possibly related to Lange. The quality and monochromatic nature suggest it might be an older piece from her famous photo [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/099/719/392/723/694/original/7ce447a58700d37b.jpeg "The image is a black and white photograph capturing the essence of agricultural labor. It depicts an individual, likely female based on appearance, engaged in picking cotton from a field under bright sunlight. The person wears casual work attire suitable for manual labor: loose-fitting pants tucked into sturdy boots and a long-sleeve blouse that's pulled up at the wrists to prevent direct sun exposure.
The worker is bent over one of the plants, using both hands to gather or pick something—potentially cotton bolls given context. The field extends into the background with rows upon rows filled with dry, leafless plants—a stark contrast to the living ones in immediate proximity. This scene suggests late harvest time when most leaves have fallen off.
The photograph is credited as a part of \"Cotton picker,\" showcasing agricultural labor within Southern San Joaquin Valley, California. Dorothea Lange's signature and date are visible on this image which indicates its historical importance as it likely serves to document the working conditions during that era in America's history when such fieldwork was prevalent for many communities.
There is Japanese text written vertically along one side of the photograph with English translations: \"Cotton picker - A woman picking cotton,\" followed by a date or signature, possibly related to Lange. The quality and monochromatic nature suggest it might be an older piece from her famous photo [...]")
Cotton camp near Exeter, California. The woman is a native of California
#Cotton #Exeter #California #anAfrican #American #theGreatDepression #AfricanAmericans #DorotheaLange #TheDepressionera #America #Lange #undefined #photography #DorotheaLange
![A black and white photograph depicting rural life, specifically focusing on an African American woman. She is seen sitting in a small cart or wagon parked beside tents draped with tarps, indicating temporary accommodation possibly during migration or displacement of laborers.
The setting appears to be dusty with scattered debris around the area, suggesting it might have been taken under adverse weather conditions where dust storms were frequent. The trees and sparse vegetation suggest an arid climate which is consistent with rural areas in regions like California's agricultural belt.
In this scene, there are also a few objects such as barrels possibly used for storage or transportation of goods during migrations typical to the era when black-and-white photography was prevalent.
The woman is dressed modestly; she wears long sleeves and skirt indicative of practicality. The photograph exudes an air of hardship but resilience often seen in depictions from historical photographs documenting social conditions during significant events like the Great Depression, where many African Americans were part of migratory labor forces moving across states to find work.
The image captures a moment frozen in time that serves as both visual testimony and artistic expression about life at the periphery of society's mainstream. It is poignant yet devoid of any explicit narrative or captions offering context for this particular instance [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/094/057/166/221/690/original/db5cdeca4c537535.jpeg "A black and white photograph depicting rural life, specifically focusing on an African American woman. She is seen sitting in a small cart or wagon parked beside tents draped with tarps, indicating temporary accommodation possibly during migration or displacement of laborers.
The setting appears to be dusty with scattered debris around the area, suggesting it might have been taken under adverse weather conditions where dust storms were frequent. The trees and sparse vegetation suggest an arid climate which is consistent with rural areas in regions like California's agricultural belt.
In this scene, there are also a few objects such as barrels possibly used for storage or transportation of goods during migrations typical to the era when black-and-white photography was prevalent.
The woman is dressed modestly; she wears long sleeves and skirt indicative of practicality. The photograph exudes an air of hardship but resilience often seen in depictions from historical photographs documenting social conditions during significant events like the Great Depression, where many African Americans were part of migratory labor forces moving across states to find work.
The image captures a moment frozen in time that serves as both visual testimony and artistic expression about life at the periphery of society's mainstream. It is poignant yet devoid of any explicit narrative or captions offering context for this particular instance [...]")
San Francisco, Calif. Apr. 1942. An evacuee of the contingent of 664 residents of Japanese ancestry to be evacuated from San Francisco and housed in War Relocation Authority centers for the duration
#SanFrancisco #Calif #Japanese #USWar #DorotheaLange #Lange #DortheaEmmaLang #WorldWarII #undefined #photography #DorotheaLange
Untitled photo, possibly related to: Near Meloland, Imperial Valley. Large scale agriculture. Gang labor, Mexican and white, from the Southwest. Pull, clean, tie and crate carrots for the eastern market for eleven cents per crate of forty-eight bunches. Many can barely make one dollar a day. Heavy oversupply of labor and competition for jobs keen
#NearMeloland #ImperialValley #Mexican #Southwest #DorotheaLanges #California #Lange #America #undefined #photography #DorotheaLange
![The image depicts several individuals working in a field, likely harvesting crops. One person is bending over and appears to be pulling or cleaning plants with their hands while holding what looks like carrots. Another individual stands behind them holding up a crate filled with the harvested vegetables.
In the background, more people can be seen engaged in similar activities within an expansive farmland under bright daylight conditions. The photo captures workers of different races collaborating on agricultural tasks, possibly as part of gang labor or migrant workforce from Southwest areas such as Near Meloland and Imperial Valley mentioned in the caption.
This image serves to highlight large-scale agriculture practices, particularly involving Mexican and white gangs working together with tools like shovels and crates for transporting harvested produce. The setting appears to be a sunny rural area where workers strive hard under challenging conditions, often earning low wages due to oversupply of labor and competition for jobs in the market.
The caption provided indicates that this photo is associated with Dorothea Lange's work, known for documenting various aspects of life during her time, including working-class individuals like these agricultural laborers. The mention of Imperial Valley suggests a geographical context within California or its neighboring regions where such large-scale farming and gang labor practices [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/705/432/302/137/839/original/bc029a4c60f79e25.jpeg "The image depicts several individuals working in a field, likely harvesting crops. One person is bending over and appears to be pulling or cleaning plants with their hands while holding what looks like carrots. Another individual stands behind them holding up a crate filled with the harvested vegetables.
In the background, more people can be seen engaged in similar activities within an expansive farmland under bright daylight conditions. The photo captures workers of different races collaborating on agricultural tasks, possibly as part of gang labor or migrant workforce from Southwest areas such as Near Meloland and Imperial Valley mentioned in the caption.
This image serves to highlight large-scale agriculture practices, particularly involving Mexican and white gangs working together with tools like shovels and crates for transporting harvested produce. The setting appears to be a sunny rural area where workers strive hard under challenging conditions, often earning low wages due to oversupply of labor and competition for jobs in the market.
The caption provided indicates that this photo is associated with Dorothea Lange's work, known for documenting various aspects of life during her time, including working-class individuals like these agricultural laborers. The mention of Imperial Valley suggests a geographical context within California or its neighboring regions where such large-scale farming and gang labor practices [...]")
![The black and white photograph depicts a group of people standing outside wooden farm buildings with laundry hanging from lines strung between them. The clothes are spread across several lines, suggesting that the family is drying their garments in an outdoor setting.
In front of these structures, there's what appears to be rows of crops or garden plots filled with plants showing signs of growth but not fully developed. These cultivated beds extend into a field where more foliage can be seen growing densely.
The group consists of several adults and children. Some are standing near the buildings while others stand in smaller groups further away from these structures, hinting at different family units within this larger gathering. There is an air of casual informality to their positioning as they appear engaged with one another or perhaps waiting for something outside of the frame.
There's a sense of rural life and simplicity conveyed through the wooden architecture of the buildings, open field surroundings, and absence of modern amenities in sight. The image may have historical significance given its depiction of family living amid agricultural activity possibly during an earlier time period when such settings were more common than they are today due to urbanization trends.
In terms of context provided by additional information from Japanese American family prior mass removal:
This photograph was captured before the [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/665/294/119/456/978/original/d49c99db3da5ad97.jpeg "The black and white photograph depicts a group of people standing outside wooden farm buildings with laundry hanging from lines strung between them. The clothes are spread across several lines, suggesting that the family is drying their garments in an outdoor setting.
In front of these structures, there's what appears to be rows of crops or garden plots filled with plants showing signs of growth but not fully developed. These cultivated beds extend into a field where more foliage can be seen growing densely.
The group consists of several adults and children. Some are standing near the buildings while others stand in smaller groups further away from these structures, hinting at different family units within this larger gathering. There is an air of casual informality to their positioning as they appear engaged with one another or perhaps waiting for something outside of the frame.
There's a sense of rural life and simplicity conveyed through the wooden architecture of the buildings, open field surroundings, and absence of modern amenities in sight. The image may have historical significance given its depiction of family living amid agricultural activity possibly during an earlier time period when such settings were more common than they are today due to urbanization trends.
In terms of context provided by additional information from Japanese American family prior mass removal:
This photograph was captured before the [...]")
History in Photos: Dorothea Lange - Japanese Internment
#Asian #DorotheaLanges #JapaneseAmericans #WorldWarII #American #Lange #photography #DorotheaLange
http://historyinphotos.blogspot.com/2012/10/dorothea-lange-japanese-internment.html
The Daughtery family, FSA (Farm Security Administration borrowers). Warm Springs district, Malheur County, Oregon
#Daughtery #WarmSprings #MalheurCounty #Oregon #second #America #DorotheaLange #American #theGreatDepression #Americans #LoenerPhotography #Lange #DorotheaLanges #undefined #photography #DorotheaLange
![This black and white photograph captures a rural scene with six individuals of varying ages. Four children are standing in the foreground, closely grouped together, while two adults stand slightly apart from them on either side.
The adult to the left is wearing a wide-brimmed hat, sunglasses, and dark clothing that includes pants and boots suitable for outdoor work. This person appears focused or contemplative as they glance down at their hands which are occupied with something small, possibly an object in need of repair or examination.
The second child from the right has short hair and is dressed in a patterned dress. They appear to be looking off-camera, perhaps distracted by another element outside this frame.
In terms of composition, the photograph seems intentionally composed to depict daily rural life during what could be mid-20th-century America given the clothing styles indicative of that era's working-class attire. The plain background serves as a neutral canvas which brings focus on the subjects' expressions and activities.
The Daughtery family is noted in this image captured by Dorothea Lange, an American photographer known for her work with the Farm Security Administration (FSA) during the Great Depression documenting the lives of displaced farmers across America. This photograph could be part of a series that aims to portray the resilience and everyday struggles faced by rural Americans at that time.
The [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/518/051/093/429/888/original/bf46b976b40b60e7.jpeg "This black and white photograph captures a rural scene with six individuals of varying ages. Four children are standing in the foreground, closely grouped together, while two adults stand slightly apart from them on either side.
The adult to the left is wearing a wide-brimmed hat, sunglasses, and dark clothing that includes pants and boots suitable for outdoor work. This person appears focused or contemplative as they glance down at their hands which are occupied with something small, possibly an object in need of repair or examination.
The second child from the right has short hair and is dressed in a patterned dress. They appear to be looking off-camera, perhaps distracted by another element outside this frame.
In terms of composition, the photograph seems intentionally composed to depict daily rural life during what could be mid-20th-century America given the clothing styles indicative of that era's working-class attire. The plain background serves as a neutral canvas which brings focus on the subjects' expressions and activities.
The Daughtery family is noted in this image captured by Dorothea Lange, an American photographer known for her work with the Farm Security Administration (FSA) during the Great Depression documenting the lives of displaced farmers across America. This photograph could be part of a series that aims to portray the resilience and everyday struggles faced by rural Americans at that time.
The [...]")
Migrant family on U.S. Highway 99 between Bakersfield and Famoso, California. Note: the photographer passed twenty-eight cars of this type while driving thirty-five miles between 9:00 and 9:45 in the morning
#USHighway #Bakersfield #Famoso #California #thirty-fivemiles #America #DorotheaLange #American #Lange #undefined #photography #DorotheaLange
Untitled photo, possibly related to: Method of scraping hide for softening. Indian fishing village. Oregon
#Indian #Oregon #DorotheaLanges #American #NativeAmerican #Lange #undefined #photography #DorotheaLange
Cotton picker. Southern San Joaquin Valley, California
#Cotton #California #Lange #undefined #photography #DorotheaLange
Mission District firetrap. San Francisco, California
#MissionDistrict #SanFrancisco #California #DorotheaLange #American #theGreatDepression #Americans #Lange #undefined #photography #DorotheaLange
![The image is a black and white photograph depicting an old wooden structure with weathered planks. It appears to be part of a larger building, possibly residential or commercial, constructed from vertical wood panels. The composition shows the corner where two walls meet at a sharp angle, creating a geometrically intriguing pattern.
On one side, there's a noticeable gap between what seems like separate sections of wall, with some planks protruding outward and others recessed into the structure. A small door or window is visible within this section, but it's unclear whether it leads to another room or serves as an entrance/exit point for utilities.
Adjacent to this wooden construction is a building covered in shingles, indicating that it may be constructed from wood sheathing with asphalt roofing material applied on top. The texture of the wooden planks contrasts sharply with the smoother surface provided by the shingle-covered wall adjacent to them.
In terms of context and additional information, Dorothea Lange was an American photographer known for her work during the Great Depression in documenting the social issues faced by Americans at that time. Her photographs often focused on human stories and conditions related to poverty or environmental degradation.
The specific photograph appears to be part of a collection titled "Mission District firetrap," which suggests it is situated within San Francisco, California's Mis [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/466/484/669/369/798/original/32601b56855caa1d.jpeg "The image is a black and white photograph depicting an old wooden structure with weathered planks. It appears to be part of a larger building, possibly residential or commercial, constructed from vertical wood panels. The composition shows the corner where two walls meet at a sharp angle, creating a geometrically intriguing pattern.
On one side, there's a noticeable gap between what seems like separate sections of wall, with some planks protruding outward and others recessed into the structure. A small door or window is visible within this section, but it's unclear whether it leads to another room or serves as an entrance/exit point for utilities.
Adjacent to this wooden construction is a building covered in shingles, indicating that it may be constructed from wood sheathing with asphalt roofing material applied on top. The texture of the wooden planks contrasts sharply with the smoother surface provided by the shingle-covered wall adjacent to them.
In terms of context and additional information, Dorothea Lange was an American photographer known for her work during the Great Depression in documenting the social issues faced by Americans at that time. Her photographs often focused on human stories and conditions related to poverty or environmental degradation.
The specific photograph appears to be part of a collection titled \"Mission District firetrap,\" which suggests it is situated within San Francisco, California's Mis [...]")
Improved water tank on stump ranch. Boundary County, Idaho. See general caption 53
#BoundaryCounty #Idaho #DorotheaLange #American #@LOENERNL #Loener #Lange #America #undefined #photography #DorotheaLange
Untitled photo, possibly related to: Fifty-pound bags of onions in storage shed, ready for market. Malheur County, Oregon
#Fifty-pound #MalheurCounty #Oregon #DorotheaLange #WorldWarII #American #Lange #undefined #photography #DorotheaLange
![The image is a black and white photograph showcasing numerous sacks of onions stored in what appears to be an attic or barn structure. The wood beams overhead suggest the space might serve as storage for agricultural produce, possibly during off-seasons when harvesting slows down.
Each sack seems meticulously packed with onions, hinting at careful preservation practices likely aimed at maintaining quality until market readiness. Some bags are labeled "SULPHATE," which may indicate they were treated to prevent spoilage through chemical treatment of the onion skins or contents itself.
The date '0-84215' visible in a corner might be an identification number for the photograph, possibly part of a cataloging system used by the photographer Dorothea Lange. The location mentioned is Malheur County, Oregon, which along with "Fifty-pound bags of onions," suggests this could have been captured during or after World War II when such agricultural practices were prevalent.
The image encapsulates a moment in time, reflecting both rural life and commerce within an American context from the early 20th century. Lange's works often highlighted social issues like poverty, labor conditions, etc., thus potentially this photo might be illustrating one of those facets through its depiction of onions' storage for market sale.
The overall atmosphere is quite somber yet serene with a sense of quiet diligence in maintaining produce stockpiles [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/423/215/037/267/200/original/a21ae07e11720492.jpeg "The image is a black and white photograph showcasing numerous sacks of onions stored in what appears to be an attic or barn structure. The wood beams overhead suggest the space might serve as storage for agricultural produce, possibly during off-seasons when harvesting slows down.
Each sack seems meticulously packed with onions, hinting at careful preservation practices likely aimed at maintaining quality until market readiness. Some bags are labeled \"SULPHATE,\" which may indicate they were treated to prevent spoilage through chemical treatment of the onion skins or contents itself.
The date '0-84215' visible in a corner might be an identification number for the photograph, possibly part of a cataloging system used by the photographer Dorothea Lange. The location mentioned is Malheur County, Oregon, which along with \"Fifty-pound bags of onions,\" suggests this could have been captured during or after World War II when such agricultural practices were prevalent.
The image encapsulates a moment in time, reflecting both rural life and commerce within an American context from the early 20th century. Lange's works often highlighted social issues like poverty, labor conditions, etc., thus potentially this photo might be illustrating one of those facets through its depiction of onions' storage for market sale.
The overall atmosphere is quite somber yet serene with a sense of quiet diligence in maintaining produce stockpiles [...]")
Mr. Botner with bull which he owns co-operatively with a neighbor under FSA (Farm Security Administration) co-op agreement. Nyssa Heights, Malheur County, Oregon
#Botner #NyssaHeights #MalheurCounty #Oregon #America #DorotheaLange #American #Lange #theGreatDepression #WorldWarII #DorotheaLanges #undefined #photography #DorotheaLange
![This black and white photograph depicts a man standing beside a cow on what appears to be a farm or ranch. The man is dressed in casual, work-appropriate attire that includes a hat, shirt, pants, and boots. He has his arm around the bull's neck while holding onto its halter, suggesting he may have just brought it out for exercise or milking.
The cow stands tall on straw-covered ground with a hay bale visible behind them to their left. In the background is a wooden fence that encloses an open field and beyond which lies a dry landscape with sparse vegetation under a clear sky. The overall impression of this scene conveys rural life, possibly from mid-20th century America.
The image carries historical significance as it was taken by Dorothea Lange (1895–1965), an American photographer known for her work during the Great Depression and World War II documenting poverty, immigration issues, labor movements, and social inequality. She is a pivotal figure in photojournalism due to her powerful images that captured critical aspects of human life with honesty.
The specific context provided indicates this image was taken under FSA (Farm Security Administration) co-op agreement between Mr. Botner and his neighbor who also owns the bull as part of their cooperative farming operation. The location is identified as Nyssa Heights, Malheur County in Oregon, USA which gives more geographical insight to where these individuals were wor [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/421/386/828/362/555/original/6bda0e26fac8a793.jpeg "This black and white photograph depicts a man standing beside a cow on what appears to be a farm or ranch. The man is dressed in casual, work-appropriate attire that includes a hat, shirt, pants, and boots. He has his arm around the bull's neck while holding onto its halter, suggesting he may have just brought it out for exercise or milking.
The cow stands tall on straw-covered ground with a hay bale visible behind them to their left. In the background is a wooden fence that encloses an open field and beyond which lies a dry landscape with sparse vegetation under a clear sky. The overall impression of this scene conveys rural life, possibly from mid-20th century America.
The image carries historical significance as it was taken by Dorothea Lange (1895–1965), an American photographer known for her work during the Great Depression and World War II documenting poverty, immigration issues, labor movements, and social inequality. She is a pivotal figure in photojournalism due to her powerful images that captured critical aspects of human life with honesty.
The specific context provided indicates this image was taken under FSA (Farm Security Administration) co-op agreement between Mr. Botner and his neighbor who also owns the bull as part of their cooperative farming operation. The location is identified as Nyssa Heights, Malheur County in Oregon, USA which gives more geographical insight to where these individuals were wor [...]")
Untitled photo, possibly related to: Bindle stiffs in town three weeks before opening of Klamath Basin potato harvest. California, Siskiyou County, Tule Lake
#Bindle #KlamathBasin #California #SiskiyouCounty #TuleLake #DorotheaLange #Lange #undefined #photography #DorotheaLange
State border plant inspection maintained by the United States Department of Agriculture between Mexico and the United States. Shoppers returning from Mexico (Juarez) to the United States (El Paso) over the bridge which carries all the traffic are required to open their packages for inspection
#Mexico #theUnitedStates #Juarez #ElPaso #theUSArmy #DorotheaLange #American #State #Texas #Lange
Untitled photo, possibly related to: Storage cellar on Botner farm. Nyssa Heights, Malheur County, Oregon
#Botner #NyssaHeights #MalheurCounty #Oregon #DorotheaLanges #American #Lange
Mrs. Cates signs chattel mortgage with "X." Malheur County, Oregon
#Cates #MalheurCounty #Oregon #DorotheaLanges #MrsCates #Lange
![The image is a black and white photograph depicting an elderly woman sitting at a table, intently writing on what appears to be a lengthy document. She wears glasses and a polka-dotted dress with a distinctive collar. The setting suggests an outdoor or semi-outdoor location, as indicated by the wooden structure in the background which could imply she's possibly at some sort of official transaction place like the county recorder office mentioned in the caption.
The woman is identified through her attire and demeanor to be Mrs. Cates based on the provided context. She seems focused on completing a form or document known as "chattel mortgage," an act that typically involves real estate transactions, lending money against property collateral. The presence of this specific type of paper suggests she may have been involved in some significant financial matter at the time.
This photograph is part of Dorothea Lange's collection and specifically references Malheur County, Oregon as a location associated with it. However, without additional context or metadata from image source such as Mrs Cates signing chattel mortgage with "X," there’s no further detail available on this specific moment in history depicted within the photograph.
The overall atmosphere is one of concentration and perhaps historical significance given Lange's reputation for documenting significant social issues during her time. The details provided, alongside v [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/324/435/304/625/441/original/45b2d7b047b4e369.jpeg "The image is a black and white photograph depicting an elderly woman sitting at a table, intently writing on what appears to be a lengthy document. She wears glasses and a polka-dotted dress with a distinctive collar. The setting suggests an outdoor or semi-outdoor location, as indicated by the wooden structure in the background which could imply she's possibly at some sort of official transaction place like the county recorder office mentioned in the caption.
The woman is identified through her attire and demeanor to be Mrs. Cates based on the provided context. She seems focused on completing a form or document known as \"chattel mortgage,\" an act that typically involves real estate transactions, lending money against property collateral. The presence of this specific type of paper suggests she may have been involved in some significant financial matter at the time.
This photograph is part of Dorothea Lange's collection and specifically references Malheur County, Oregon as a location associated with it. However, without additional context or metadata from image source such as Mrs Cates signing chattel mortgage with \"X,\" there’s no further detail available on this specific moment in history depicted within the photograph.
The overall atmosphere is one of concentration and perhaps historical significance given Lange's reputation for documenting significant social issues during her time. The details provided, alongside v [...]")