[13:35] Suzanne Schulting pakt goud en zilver bij World Cup langebaan in Peking. 'Ben blijkbaar een snelle leerling'
Wat eerder nog niet lukte, slaagde voor Suzanne Schulting zondag wel: World Cup-medailles pakken als langebaner. De Heerenveense werd in Peking tweede op de 500 meter en won de teamsprint.
https://www.dvhn.nl/sport/Suzanne-Schulting-is-ook-op-langebaan-snelle-leerling-29296455.html
#SuzanneSchulting #zondag #World #Heerenveense #Peking #tweede #500meter
Dagblad van het NoordenSuzanne Schulting pakt goud en zilver bij World Cup langebaan in Peking. 'Ben blijkbaar een snelle leerling'Wat eerder nog niet lukte, slaagde voor Suzanne Schulting zondag wel: World Cup-medailles pakken als langebaner. De Heerenveense werd in Peking tweede op de 500 meter en won de teamsprint.
![The image depicts the Temple of Heaven in Beijing, China. This ancient temple is recognized by its iconic multi-tiered pagoda structure painted in red and blue with intricate gold accents at the top tier. It stands prominently against a backdrop of soft clouds and sky hues ranging from light to deeper blues.
In front of the main building lies an expansive grassy area leading up to it, flanked on both sides by rows of white stone steps or terraces that ascend towards a central pathway converging directly with the temple's entrance. The structure is surrounded by greenery, including trees and patches of grass which seem somewhat overgrown in places.
The image appears vintage, suggesting it could be from an early 20th-century postcard collection as indicated by "PEKING TEMPLE OF H[...] Zürich: Photoglob Company" on the lower right corner. The bottom left also contains a number likely denoting its cataloging or reference within that series.
This temple is not merely a religious structure but an architectural marvel, symbolizing heaven and often used for imperial court ceremonies in China's dynastic history.](https://mastodon.ozioso.online/system/media_attachments/files/113/191/842/785/649/277/original/13be999f687e8304.jpeg "The image depicts the Temple of Heaven in Beijing, China. This ancient temple is recognized by its iconic multi-tiered pagoda structure painted in red and blue with intricate gold accents at the top tier. It stands prominently against a backdrop of soft clouds and sky hues ranging from light to deeper blues.
In front of the main building lies an expansive grassy area leading up to it, flanked on both sides by rows of white stone steps or terraces that ascend towards a central pathway converging directly with the temple's entrance. The structure is surrounded by greenery, including trees and patches of grass which seem somewhat overgrown in places.
The image appears vintage, suggesting it could be from an early 20th-century postcard collection as indicated by \"PEKING TEMPLE OF H[...] Zürich: Photoglob Company\" on the lower right corner. The bottom left also contains a number likely denoting its cataloging or reference within that series.
This temple is not merely a religious structure but an architectural marvel, symbolizing heaven and often used for imperial court ceremonies in China's dynastic history.")
![This image depicts a serene scene at the Summer Palace in Beijing, China. The focal point is a beautiful white arched bridge gracefully spanning over calm waters with lily pads floating on its surface. On one side of the lake, there's a stone embankment leading to what appears to be a lush park area lined with mature trees displaying rich green foliage.
A traditional Chinese boat with several individuals aboard is seen gliding along the water, adding life and activity to this tranquil setting. The sky above suggests it might be late afternoon or early evening due to its soft glow. The overall colors are vibrant yet natural, conveying a sense of peacefulness associated with such historical landmarks in China.
The image has been identified as part of an archive from around 1890-1910 and is attributed to the Photoglob Company based out of Zürich. It serves not only as a snapshot of this particular location but also reflects the photographic style and color treatment common during that period, aiming for both artistic quality and historical accuracy in representation.
In terms of context, such images are valuable from an anthropological perspective because they provide insight into how people interacted with their surroundings at specific times. They can offer clues about cultural practices, social behaviors, architectural styles, as well as the natural environment preserv [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/189/652/687/464/956/original/64537b30de214e94.jpeg "This image depicts a serene scene at the Summer Palace in Beijing, China. The focal point is a beautiful white arched bridge gracefully spanning over calm waters with lily pads floating on its surface. On one side of the lake, there's a stone embankment leading to what appears to be a lush park area lined with mature trees displaying rich green foliage.
A traditional Chinese boat with several individuals aboard is seen gliding along the water, adding life and activity to this tranquil setting. The sky above suggests it might be late afternoon or early evening due to its soft glow. The overall colors are vibrant yet natural, conveying a sense of peacefulness associated with such historical landmarks in China.
The image has been identified as part of an archive from around 1890-1910 and is attributed to the Photoglob Company based out of Zürich. It serves not only as a snapshot of this particular location but also reflects the photographic style and color treatment common during that period, aiming for both artistic quality and historical accuracy in representation.
In terms of context, such images are valuable from an anthropological perspective because they provide insight into how people interacted with their surroundings at specific times. They can offer clues about cultural practices, social behaviors, architectural styles, as well as the natural environment preserv [...]")
![The image portrays a grand traditional Chinese palace complex with multiple tiers and ornate architecture. The main building, centrally located in the composition, features a tiered roof adorned with green tiles and intricate wooden structures characteristic of classical East Asian design. Flanking this central edifice are additional buildings with similar architectural elements.
In front of these palatial structures is an expansive set of white stone steps leading up to what appears to be an entrance gate or courtyard, enclosed by tall, carved stonework railings that exhibit traditional Chinese motifs and patterns. The area around the palace complex seems serene, with lush greenery enveloping its base, suggesting a secluded setting.
The sky above is partly cloudy but bright, indicating fair weather conditions during what could possibly be early morning hours or late afternoon light given the softness of shadows cast on the ground. There's an overall sense of historical significance and cultural richness conveyed by this image captured around the turn of the 20th century as per its probable creation date in Zürich.
This photograph, identified with a unique reference number (18802), is part of a collection from Peking and showcases architectural styles that are reflective of imperial Chinese heritage. The detailed craftsmanship evident in every element—from the tiled ro [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/188/777/535/428/626/original/7f76c76bbe1d3dfa.jpeg "The image portrays a grand traditional Chinese palace complex with multiple tiers and ornate architecture. The main building, centrally located in the composition, features a tiered roof adorned with green tiles and intricate wooden structures characteristic of classical East Asian design. Flanking this central edifice are additional buildings with similar architectural elements.
In front of these palatial structures is an expansive set of white stone steps leading up to what appears to be an entrance gate or courtyard, enclosed by tall, carved stonework railings that exhibit traditional Chinese motifs and patterns. The area around the palace complex seems serene, with lush greenery enveloping its base, suggesting a secluded setting.
The sky above is partly cloudy but bright, indicating fair weather conditions during what could possibly be early morning hours or late afternoon light given the softness of shadows cast on the ground. There's an overall sense of historical significance and cultural richness conveyed by this image captured around the turn of the 20th century as per its probable creation date in Zürich.
This photograph, identified with a unique reference number (18802), is part of a collection from Peking and showcases architectural styles that are reflective of imperial Chinese heritage. The detailed craftsmanship evident in every element—from the tiled ro [...]")
