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#dutchdesign

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Public
Letterform Archive

Margaret Kropholler (cover designer), Wendingen, series 10, no. 5-6, 1930.

Margaret Staal-Kropholler, frequently referred to as Margaret Kropholler, (1891–1966) was the first woman in the Netherlands to practice as a professional architect. See more issues of Wendingen in the Online Archive: oa.letterformarchive.org/?dims

Cover of a square magazine with brown ink printed on tan paper. The title, “Wendingen” is rendered in multiline rectangular letterforms and sits on large multiline stripes that tarverse most of the surface. Inside one of the stripes’ turns is a smaller text that reads “J F Stall” and “29”.
Back cover of the magazine. The stripes continue along the top and bottom of the page. At the left end of each are the numbers “1925” and “1929”.
#Wendingen#MargaretKropholler#WomenDesigners
Public
Letterform Archive

Hendrik Wijdeveld, Wendingen, series 6, no. 6, 1924.

Dutch architect Hendricus Theodorus Wijdeveld was the editor and frequent designer of the groundbreaking magazine (named “Upheaval” in Dutch). This issue was devoted to Irish furniture designer and architect Eileen Gray. See more Wendingen covers in the Online Archive: oa.letterformarchive.org/?dims

Cover of a square magazine with a cord binding. The inks are purple and teal, and the title “Wendingen” and “Eileen Gray” are in rectangular, high stroke contrast style with no curves.
Verso page of an inside spread showing photos of Eileen Gray’s furniture designs with captions in Dutch.
Verso page of an inside spread showing photos of Eileen Gray’s furniture designs with captions in Dutch.
Back cover of the magazine repeats the front cover design but in reverse and without the large text. A small line reads, “Meubelen en Interieurs” [Furniture and Interiors].
#Wendingen#HendrikWijdeveld#EileenGray
Public
Eugene van Veldhoven
Textile and print designer by origin, now also developing 3D printed textile related products. Such as these here. Some of my clients look into reproducing the image literally, others use the graphical patterns (weavers mostly), scan it in 2D (for inkjet printing) or scan it in 3D (for vinyl embossing). After thirty years still surprising sometimes what my clients see in my designs. ☺️

#3dprinting #flexible3dprint #3dprintingtextiles #3dprintedtextiles #sustainability #recycling
#innovativetextiledesign #textile #textileindustry #industrialprintingtechniques #printingtechniques #patterndesign #printdesign #interiortextiles #interiortextiledesign #textiledesign #Dutchdesign #DutchTextileDesign #eugenevanveldhoven #HauteCouture #couturefabric #couturefabrics #ACTwithtextiles
#actwithtextiles
Public *
Letterform Archive

New from Letterform Archive Books! NKF: Piet Zwart’s Avant-Garde Catalog for Standard Cables, 1927–1928.

A legendary masterpiece for a Dutch cable company that helped rewrite the rules of modern typography, Zwart’s NKF catalog remains a sought-after touchstone of art and design history.

This first-ever facsimile reproduces the complete book with exacting details and in its original format.

letterformarchive.org/shop/nkf

#LetterformArchive#PietZwart#NKF
Public
Dagblad Van het Noorden RSS

[18:10] Kippenvel door kunstwerk Ankie (28) op Dutch Design Week: 'Deze foto’s leidden tot seksueel misbruik'

Wie denkt dat jongeren weinig emotionele bagage hebben, een kritische blik en zelfinzicht missen, heeft het goed mis. Tijdens Dutch Design Week 2024 in Eindhoven wordt dat haarfijn duidelijk. Jonge ontwerpers schuwen de donkere kant van het leven niet. De emoties lopen hoog op, vooral bij het project van Ankie (28).

dvhn.nl/cultuur/beeldende-kuns

#Wiedenktdatjongerenweinigemotionelebagagehebben #DutchDesign #2024 #Eindhoven #Ankie #28

Dagblad van het NoordenKippenvel door kunstwerk Ankie (28) op Dutch Design Week: 'Deze foto’s leidden tot seksueel misbruik'Wie denkt dat jongeren weinig emotionele bagage hebben, een kritische blik en zelfinzicht missen, heeft het goed mis. Tijdens Dutch Design Week 2024 in Eindhoven wordt dat haarfijn duidelijk. Jonge ontwerpers schuwen de donkere kant van het leven niet. De emoties lopen hoog op, vooral bij het project van Ankie (28).
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