8 New Murals!: In Cubará, Bordeaux, Brisbane, Seville, Toulouse, Lisbon, Terfens, and Lima
From hyperrealistic portraits to surreal dreamscapes. In Cubará, Cris Herrera’s mural intertwines identity and nature, while DOS.K’s hyperrealistic portrait in Bordeaux captures a quiet moment of reflection. Meanwhile, Dumser’s powerful depiction of Red Hulk in Lima adds an explosive energy to the urban landscape. More: 106 Of The Most Beloved Street Art Photos – Year 2024 1 By DOS.K in Bordeaux, France. French artist DOS.K painted this hyper realistic mural in Bordeaux, […]STREET ART UTOPIA · 8 New Murals!: In Cubará, Bordeaux, Brisbane, Seville, Toulouse, Lisbon, Terfens, and Lima - STREET ART UTOPIA
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![The image depicts a towering structure with intricate architectural details. This tower appears to be part of an important historical building, possibly a cathedral or university. The design features pointed arches and ornate patterns typical of Gothic architecture. The base is wider than the top, adding stability to its height. Atop this stately edifice stands a smaller spire crowned with what seems like a statue. This structure overlooks a dense urban area filled with buildings closely packed together under a clear sky. Other notable structures in close proximity include another tall building featuring pointed arch windows and ornate metalwork on the facade, suggestive of an elaborate Gothic cathedral or similar ecclesiastical architecture.
This tower is labeled "La Giralda München" which translates to "The Giraffe Munich," likely indicating that this image may be part of a series from Purger & Co., known for their chromolithographic prints depicting various European landmarks. The source suggests it's connected to the Catedral de Sevilla, or Seville Cathedral in Spain, reflecting its prominent position and historical significance.
Given these details, one can infer this tower is likely La Giralda (Giralda Tower), part of the Cathédrale Notre-Dame-de-l'Assomption d'Évora. The image seems to be from a publication or collection by Purger & Co., which suggests its use for architectural study and historical documentation [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/473/511/467/045/695/original/b4294006d4ec10ae.jpeg "The image depicts a towering structure with intricate architectural details. This tower appears to be part of an important historical building, possibly a cathedral or university. The design features pointed arches and ornate patterns typical of Gothic architecture. The base is wider than the top, adding stability to its height. Atop this stately edifice stands a smaller spire crowned with what seems like a statue. This structure overlooks a dense urban area filled with buildings closely packed together under a clear sky. Other notable structures in close proximity include another tall building featuring pointed arch windows and ornate metalwork on the facade, suggestive of an elaborate Gothic cathedral or similar ecclesiastical architecture.
This tower is labeled \"La Giralda München\" which translates to \"The Giraffe Munich,\" likely indicating that this image may be part of a series from Purger & Co., known for their chromolithographic prints depicting various European landmarks. The source suggests it's connected to the Catedral de Sevilla, or Seville Cathedral in Spain, reflecting its prominent position and historical significance.
Given these details, one can infer this tower is likely La Giralda (Giralda Tower), part of the Cathédrale Notre-Dame-de-l'Assomption d'Évora. The image seems to be from a publication or collection by Purger & Co., which suggests its use for architectural study and historical documentation [...]")
![The image depicts an architectural interior scene of a historic building. It shows the entrance to what appears to be a grand hall or courtyard, featuring intricate and ornate decorations typical of Islamic artistry found in Spanish Moorish architecture.
In the foreground, there are two potted plants on either side of what looks like an archway leading into a deeper space within the structure. The walls surrounding these planters have colorful geometric patterns reminiscent of traditional Andalusian designs with vibrant hues such as reds, blues, greens, and yellows.
Above is a series of white arched windows or passageways that allow light to filter through, casting soft shadows on the floor below. These archways are part of a larger decorative scheme incorporating elaborate floral motifs in alternating bands of color along their edges.
The center focal point is an ornately carved wooden door with red and gold embellishments indicating significant craftsmanship and cultural importance within this context. It's framed by two white columns which support a canopy or portico above the doorway, adding to its majestic appearance.
This particular photograph captures a moment in time at Seville Alcazar around 1890-1906 as per an inscription visible on one of the lower corners where it says "Sevilla Alcazar," suggesting that this was taken within or near what is now known as Royal Palace of Seville. The overall ambiance evokes [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/468/977/648/565/566/original/9aab5771a569bd30.jpeg "The image depicts an architectural interior scene of a historic building. It shows the entrance to what appears to be a grand hall or courtyard, featuring intricate and ornate decorations typical of Islamic artistry found in Spanish Moorish architecture.
In the foreground, there are two potted plants on either side of what looks like an archway leading into a deeper space within the structure. The walls surrounding these planters have colorful geometric patterns reminiscent of traditional Andalusian designs with vibrant hues such as reds, blues, greens, and yellows.
Above is a series of white arched windows or passageways that allow light to filter through, casting soft shadows on the floor below. These archways are part of a larger decorative scheme incorporating elaborate floral motifs in alternating bands of color along their edges.
The center focal point is an ornately carved wooden door with red and gold embellishments indicating significant craftsmanship and cultural importance within this context. It's framed by two white columns which support a canopy or portico above the doorway, adding to its majestic appearance.
This particular photograph captures a moment in time at Seville Alcazar around 1890-1906 as per an inscription visible on one of the lower corners where it says \"Sevilla Alcazar,\" suggesting that this was taken within or near what is now known as Royal Palace of Seville. The overall ambiance evokes [...]")
![The image depicts a series of intricately decorated arches and columns in what appears to be an interior space. The structures are adorned with elaborate geometric patterns, Arabic script, and vibrant colors including reds, blues, golds, and whites. These elements suggest that the location could be a historical or cultural site with Islamic influences, possibly within a palace or public building.
The arches have ornate carvings at their bases and along their upper edges, creating an intricate interplay of shapes and lines. The central column is tall and slender, finished in dark grey stone, while additional columns are visible on the sides, showing similar design elements but appearing shorter in height.
In the background, there's a glimpse of what could be tiled floors with contrasting patterns, adding to the overall aesthetic harmony of the scene.
The photograph carries an inscription at its bottom that reads "15642.P.Z.-SEVILLA.ALCÁZAR.SALÓN DE EMBAJADORES," which indicates it was taken in Seville's Alcázar and shows a room known as the Ambassadors' Hall. The date range provided suggests this image is from approximately 1890 to 1906, placing it within the period when photochrom prints were commonly used for capturing detailed architectural images.
The visual composition of the photograph emphasizes symmetry and repetition in design, characteristic of Islamic architecture's use of geometric patterns and motifs. Th [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/467/900/257/580/828/original/e71bcf02fe7fd392.jpeg "The image depicts a series of intricately decorated arches and columns in what appears to be an interior space. The structures are adorned with elaborate geometric patterns, Arabic script, and vibrant colors including reds, blues, golds, and whites. These elements suggest that the location could be a historical or cultural site with Islamic influences, possibly within a palace or public building.
The arches have ornate carvings at their bases and along their upper edges, creating an intricate interplay of shapes and lines. The central column is tall and slender, finished in dark grey stone, while additional columns are visible on the sides, showing similar design elements but appearing shorter in height.
In the background, there's a glimpse of what could be tiled floors with contrasting patterns, adding to the overall aesthetic harmony of the scene.
The photograph carries an inscription at its bottom that reads \"15642.P.Z.-SEVILLA.ALCÁZAR.SALÓN DE EMBAJADORES,\" which indicates it was taken in Seville's Alcázar and shows a room known as the Ambassadors' Hall. The date range provided suggests this image is from approximately 1890 to 1906, placing it within the period when photochrom prints were commonly used for capturing detailed architectural images.
The visual composition of the photograph emphasizes symmetry and repetition in design, characteristic of Islamic architecture's use of geometric patterns and motifs. Th [...]")
